Casing St. John’s Church—and Other Surefire Ways to Avoid Making Friends in Gloucester

[ Today’s guest blogger is perennial favorite Adam Kuhlmann, who read this story aloud at Fish Tales, held by the Gloucester Writer’s Center on Friday evening at Short & Main upstairs. If you missed that epic performance, here you go!]

In hindsight, it was perhaps naïve to think we’d find—in an abandoned coat factory in Gloucester, tucked between the railroad tracks, a 7-Eleven, and a public housing complex—coastal New England’s version of Melrose Place.  Nevertheless, those were our thoughts as my wife and I sped down the Mass Pike in July of 2008, the final leg of our move from Houston.  She rummaged through the glove compartment and with a flourish produced the lease agreement to our new home.  It was a top floor unit in a brick box rechristened the Gloucester Mill Condominiums—and a place we’d seen only in underexposed Craigslist images.  Yet somehow we conjured a primetime Aaron Spelling soap opera, minus the AIDS and contract killings.

This was our fault, a product of overactive imaginations and underactive research.  We’d spent our post-college lives in cities with an abundance of luxury real estate.  So when we read that Gloucester Mill was located “downtown” and consisted of “converted lofts,” we filled in the details by extrapolating from the hip urban spaces we’d known.  Most of all, we imagined our neighbors.  We weren’t assuming they’d look like Heather Locklear or Andrew Shue.  But it had been four somewhat lonely years in Houston, a city where the progressive few fend off the armies of conservatism by huddling behind walls thatched with the wiry, salt-and-pepper hair of John Stewart.  We hoped that a peaceable blue state would offer better odds for meaningful friendship with folks like us.

It shouldn’t have taken us long to realize that, instead, Gloucester Mill amounted to the longest of long shots.  As soon as we arrived, the clues were all around us—most conspicuously, the signs reading, “Danger: Oxygen in Use, No Open Flames.”  Of the seven doors between the entrance and the elevator, fully three displayed this lurid red and black warning—and one was complemented by a motorized scooter parked beside the threshold.  But my wife and I were preoccupied.  In the lot sat our exhausted Toyota Camry, ticking in the heat and rigged with personal effects, a Japanese-made update on the jalopy from The Grapes of Wrath.  We were in no position to notice that our neighbors were, by and large, individuals who could recall the fanfare surrounding the publication of Steinbeck’s masterpiece.

It’s not that I am opposed to cross-generational friendships.  At age 34, already I enjoy plenty of activities associated with the elderly, such as reading, gardening, and positively demolishing boxes of high fiber cereal.  But my wife and I learned that, at Gloucester Mill, the relatively youthful were perceived as dangerous interlopers.  Not long after our arrival, I crossed the parking lot to address a shrunken woman struggling with an overloaded grocery caddy.  Too eagerly, perhaps, because when I offered my assistance, she recoiled in terror and clutched her purse as if it were the world’s last box of laxatives.  “Help! Help!” she cried, without apparent irony.

It’s not altogether surprising that I had trouble making friends within the building.  I can be grumpy and aloof—and with my pugnacious, bearded chin and eyebrows like mustaches, I resemble a pocket-sized Bluto, Popeye’s nemesis and a well-documented sexual predator.  But my wife is one of those honest-to-goodness nice people you read about in Bible tracts.  Her smile, which she offers indiscriminately, takes up the better part of her face.  For two years she taught in Watts and managed to win over her students with a combination of absolute devotion and exquisite Southern manners.  Yet even she found herself, more than once, on the business end of a four-pronged aluminum cane.

There were exceptions, of course.  One of our fourth floor neighbors, a chatty spindle of a woman, kept an eye out for our Amazon packages and invited us to her Christmas parties.  Still, it was clear that my wife and I needed to look beyond the Mill for companionship.  During the thirsty month of August, before the school year and our new jobs commenced, we devoted ourselves to visiting a different bar each night.  More often than not, these forays proved less social and more anthropological in nature. So while they yielded few friends, we made some important discoveries—for instance, that New Englanders see gin and tonics in the same way that others do lemon-lime Powerade.  Also, that the Old-Timers Tavern could have deepened its obvious commitment to truth in advertising by calling itself the Piss Drunk Old-Timers Tavern.

Beyond these efforts, we joined the YMCA, frequented the Farmers’ Market, and even attended services at the Episcopalian Church.  My skeptical beliefs notwithstanding, I savored these Sundaymornings.  With the big red door flung open to the breeze, I listened to seagulls heckling the liturgy and admired the sunlight glowing through nautically themed stained glass.  But eventually we learned that churchgoing has a different form and meaning up North.  In Texas, people attend church because everyone does; it’s an opportunity to wear linen, gossip about the truant, and enjoy a tipple beforenoon.  The service itself is just a prelude to the fellowship that takes place afterward over sagging platters of fried catfish and devilled eggs.  But in New England, where church isn’t so much a way of life, regular parishioners seem to be a hardcore, studious lot.  They listen intently to the sermon, scribble notes, and following the benediction shake hands with the priest and hotfoot it home to implement his teachings.  My tendency to hang around the courtyard, sporting a pastel bowtie, elicited only quizzical expressions from the clergy and laypeople alike.  What was so natural down South appeared bizarre, even suspicious, in New England.  Looking back, I worry they imagined I was casing the joint for holy relics or crates of communion wine.

StJohnsChurch

 

As our first New England summer faded into autumn, I started to feel desperate.  Yes, we had found camaraderie at our places of employment.  But at the warm and fuzzy schools where we taught people were contractually obligated to be friendly.  And most colleagues lived over the Bridge in the surrounding towns.  What we hungered for were local connections, voluntarily bestowed, which would symbolize that we’d truly arrived, that we weren’t the tourists or seasonal residents whom we now saw fleeing for warmer climes.

And so I began to see potential bonds in the unlikeliest of places.  Walking from Gloucester Mill to the Family Dollar for trash bags or a toilet brush, I would pass a dingy garage adjacent to a carwash. Ostensibly, it was a commercial enterprise named Dizturbed Kreationz, which specialized in turning perfectly sensible four-wheel drive trucks into rude metallic beasts that farted jet-black smoke. Business hours lasted between noon and 1:30 PM, after which the young employees would abandon their blowtorches, arrange folding chairs, and pass around a squat red cooler of beer.  Often, a flinty-looking girl or two would join them to sing harmonies on favorite Limp Bizkit tunes.  Meanwhile, the boys held remote control transmitters in their stained hands, sending tiny scale models of their prized vehicles whining through the parking lot.  On the surface at least, I had little in common with this outfit. And they treated my comings and goings with complete indifference.  Yet part of me imagined how pleasant it would be to be hailed with some nickname—“Bones” or “Mongoose” or, hell, even “Little Bits”—and have a cold can pressed into my palm.  One afternoon I plucked up my courage and ventured a little head nod to a heavily tattooed fellow, who was taking a cigarette break next to a completely stripped chassis.  He stared for a moment, spat on the ground, and opened his mouth to speak.  In a way, my fantasy came true—but I admit that “bitch ass punk” was a bit more colorful a moniker than I’d bargained for.

dizturbed_kreationz_by_charliemacpaintings-d6sc0g5

As the years passed, my wife and I gave up hoping that any single outlet in town would offer a gateway to an extensive network of friends.  The most promising of these one-stop-shopping approaches—raising a child—seemed like an awful lot of work.  Instead, we resolved to cobble together a social life from disparate materials, to celebrate loose ties as well as strong ones, and—most of all—to not grow discouraged.  Recently, we moved away from Gloucester Mill and into a house closer to Main Street. We have plenty of space, and we can’t wait for temperatures to rise and the roof deck to shrug off its white winter coat, so we can host a party.  Maybe we’ll fill up a kiddie pool and surround it with tropical plants, just like the set of Melrose Place.  As long as you don’t have murder or adultery in mind, consider yourself—and your oxygen tank—invited.

 

No Snark Sunday: Shameless Plug/Cyberpunk in the Bistro

mar22_book_club_web

Starting with Jules Verne and 10,000 Leagues Under the Sea all the way to the Star Trek franchise, science fiction has generally given us an empowering view of our relationship to technology. Yes, there are problems and hiccups, but mostly it’s men doing amazing things with incredible machines. Journeying to the stars, fighting off alien invasions and getting the girl. The technology is all very impersonal and outward-focused: Submarines, Starships, laser guns and robots. You kind of get it when you remember what was going on in the world at the time: great canals being built, skyscrapers, dams, airplanes and rockets. The last of the unexplored places like the Arctic and Everest being conquered. Easy-to-understand wars being fought and won.

But there was another strain that took hold in the 60’s and 70’s when writers led by people like Philip K. Dick,  Paul Linebarger (Cordwaner Smith) and I’d even argue Ursula K. Leguin decided to use the lens offered by this genre to look inward at how the explosion of new technologies was changing us and our perceptions of society and reality. In the 80’s this broke out into a sub genre called “Cyberpunk.” Where most sci-fi took place in space, plots in Cyberpunk revolved around the ultimately mutable concept of virtual reality powered by networked computers. In 1984 cyberpunk author William Gibson coined it “Cyberspace”.

Perhaps you’re familiar?

Cyberpunk is a lot like the Internet, it’s not clean and neat like the work of the old masters like Asimov. Themes weave in and out. The societies depicted are almost nominally functional with huge corporations and insanely advanced tech right alongside massive poverty and the consequences of an increasingly weak central government. You will recognize this world, even thought it was envisioned two decades ago.

I’ll be honest, a lot this genre hard to read. Unless you love computers, code, endless references to Japanese pop culture and dense writing in general (which I do) it’s tough on general audiences.

But then along came Neil Stevenson with Snowcrash. Intended as more of a parody of cyberpunk, this book started out as a graphic novel until he and his illustrator realized that doing it in comics form would be an impossible task. It rolls through themes technological, sociological, anthropological, the nature of consciousness itself and has some amazing action scenes including a villain who rides around on a motorcycle of which the sidecar is a stolen Russian nuclear bomb set to explode if he is ever killed.

There is a tone of fan art because  Internet

There is a tone of fan art because Internet

Stevenson is, in general, a blast (pun intended). He’s kind of like Dan Brown on acid. You can imagine that if you were ever stuck next to him on a cross-country bus trip he’d be amazing till about Ohio, then you’d want to kill him from about there till Seattle. This book takes us to Cincinnati.

I have it on good authority from a first-time cyberpunk reader that it’s totally accessible and she recommends readers “Keep at it till page 70 when it all starts to make sense.”

So, on Sunday March 22 at 5pm we’re going to discuss the book and some of the ideas therin at Duckworth’s. It’s 45 bucks, but if you’ve been to one of these things before you should know Ken and Nichole (Ken is a huge Cyberpunk nerd, btw) go to town with the spread. The last one I did I’m pretty sure about 30% of the people there hadn’t read the book and were just down with an exclusive Duckworth’s meal and were like, “Yes, yes, Jim, do go on about how the idea of the ‘Fool’ character in science fiction has migrated into technology like C3PO and…what? Is that more lamb? Bacon-wrapped figs? Yes, please…”

So make a reservation, read the book and come join us.

Additional radom details:

The Hero's name is Hiro Protagonist

The Hero’s name is Hiro Protagonist

 

 

A cool skateboard courier called "YT" short for "Yours Truly"

A cool skateboard courier called “YT” short for “Yours Truly”

There is a robot dog

There is a robot dog

 

Beard on the Run

Yesterday at around 11:30AM something glorious happened. Not glorious from a “good thing to do” perspective because the something involved a bank robbery and we at The Clam are opposed to thievery and threats of violence in all forms (no one was hurt).

And it’s not just that this particular (suspected) robber escaped on foot and into a taxicab essentially right in front of the Gloucester Police headquarters, which you have to admit is sort of awesome. Or that he later got out of that cab when he thought the driver was on to him, ran around town for a while like a husky who’d broken his lead and was eventually apprehended at the train station because the police suspected from “their investigation” that their man may be heading toward the commuter rail. “Their investigation” to read, “This dipshit obviously doesn’t even have a fucking car.” Though we do commend suspect Derek Potocki for his ongoing commitment to minimizing his carbon footprint on his heists (he’s also the prime suspect for a similar hit on a bank in Manchester NH where the robber fled on a bike). Also: commuter rail as escape plan. Oh God, one sec. Have to pee again laughing so hard.

Oceans Eleven would have been a very different movie if they took the T

Oceans Eleven would have been a very different movie if they took the T

Ok, back. Sorry.

No, in the end it was one detail which put the finishing touch on the operatic beauty of this particular caper. Take it away block quotes from the Gloucester Daily Times (paywall or working knowledge of proxy servers required):

“I saw the fellow walk in, he had on sunglasses,” he [a bank customer] said. “He had a fake beard which was the most identifying feature, which made me curious. I said that to the bank … officer. We both kind of looked and didn’t think anything of it.”

Tell me, dear reader. Do you find it more just freaktastically awesome that this guy who couldn’t even arrange for a friend to give him a ride to knock over a bank happened to have a fake beard with him, or that in our beloved city there is enough general weirdness for a bank customer and employee to see a dude in line wearing sunglasses and a fake beard and just basically shrug and go “This town’s sure got its share, eh?”

But back to my earlier point, did he bring the beard? Does he always carry a fake beard at all times and if so, how great is that? Or, even greater, was it improvised with like yarn or construction paper or something? Or did he go next door to the Walgreens and buy a “fun disguise kit” from the toy aisle or perhaps, even more astoundingly awesome in the “too much to hope for” department, did he purchase a bright read beard as part of a leprechaun costume in preparation for the upcoming St. Patrick’s Day holiday?

Sorry, too much coffee today. Right back. Gotta clean my glasses too, tears.

We at The Clam are trembling with anticipation for the release of the security camera footage. We live for this sort of thing. Honestly (We have no lives).

So, in preparation, let’s have a little poll to see if we can guess the kind of beard the (suspected) Mr. Potocki was wearing (As a suspect. A  bearded suspect.). Winners get bragging rights and Clam sticker if you ask when we have one on us.

beards

1. The Gandalf
3 Vote
2. The Hipster
13 Vote
3. The Svengali
1 Vote
4. The Rabbi
11 Vote
5. The Sensei
4 Vote
6. Captn' Yarnbeard
20 Vote
7. The Leprechaun
13 Vote
8 Lenin
3 Vote
9. The Lumberjack
4 Vote
10. Bees
4 Vote
11. The Lincoln
14 Vote
12. Evil Spock
7 Vote
13. Black Jesus
1 Vote
14. Tristan
9 Vote

 

Would you order a refreshing “Boston Marathon Explosion” at your local pub?

All you do is plop a shot of Fireball into a pint of Sam Adams and BOOM! Hilarious drunktasticness! You can almost hear the desperate moans of the maimed as you enjoy!

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Wait, what? You wish to never stop mashing your fist into my squishy asshole face because I’m the biggest shit in the entire universe?  Maybe you should wait until you’ve finished your drink there. What is that you’re having by the way? Oh, an “Irish Car Bomb”? You and your twelve frat buddies just ordered these? Sounds fantastic.

By all means use my holiday to celebrate terrorism before you puke in an Uber.

By all means use my holiday to spend an evening celebrating terrorism before you go puke in an Uber.

Strange, no one ever orders a “Flaming Manhattan” on 9/11. We have no drink representing the Sandy Hook Massacre. Should somebody break out the mad mixology skillz and come up with a cocktail to commemorate the Virginia Tech shootings, the attack on Charlie Hebdo in Paris (Contreau and bloody Mary mix?) or the downing of Pan Am 103 over Lockerbie, Scotland (Jager and single malt)? No? Or you could order your buddy who did two rotations escorting convoys in Iraq an “Explosively Formed Penetrator”? Tasteless? Offensive? Ass-kicking worthy?

If yes (and I hope you said yes) then why the fuck does the goddamned “Irish Car Bomb” exist? How is it ordered in 2015, and how are those who request it not told to go respond to their own mother’s ‘Casual Connections’ ad on Craigslist? This is a town where a fair number of Irish and Brits live. How are we still doing this?

For the record, the last major terrorist attack in Ireland was the Omagh bombing in 1998. A Vauxhall Cavalier full of semtex was detonated on a busy street at three in the afternoon killing 29 people of all backgrounds and ages. Kids. A woman pregnant with twins. This wasn’t in the ancient past or even a generation ago, it was a few short years before 9/11. Bombings perpetrated by Irish terrorists have injured civilians as recently as 2010.

It looks grotesquely familiar to us now, doesn't it?

If this doesn’t look so familiar it turns your stomach, I don’t know what to tell you.

 

Asking for it, all of them

They were enjoying a nice day out, too.

When you tell someone in Ireland you’re from Boston they joke, “Boston is the capitol of Ireland!” So, citizens, try ordering that drink anywhere in that country and see what happens to you. Hint: There is a fair chance you will get to see how good you are at picking your teeth up off the sidewalk with broken fingers.

As Bostonians, we claim many special rights. The right to be a small city that gets to play with the big boys. The right to be a town where wicked smart people are celebrated alongside sports heroes and rock stars. A place that will unapologetically get all up in your face for being a dumbass (try being in the wrong lane on Storrow or giving money to that sob story guy on the train) and where we show terrorists what it’s like to fuck with the wrong town. Our composure after the Marathon bombing, our resilience, and our strength showed the country and the world how we do things here.

All of that is for shit if one week out of the year we tolerate a bunch of dick-holes in green plastic bowlers and those horrific louvered sunglasses to order “Irish Car Bombs” without challenge, without someone saying “dude, not cool”. We can just revert to being nothing more than comically-accented provincial idiots, swimming in our own fetid hypocrisy, in that case.

Your call.